To Watch the Faces of the Poor Essay Example for Free

To Watch the Faces of the Poor EssayCharles Cunningham, in To Watch the Faces of the Poor Life Magazine and the Mythology of agrarian Poverty in the Great Depression (1999), details how Life magazine describes the agrarian poverty in 1930s due to Great depression, ridiculing the poor of whites by showing photographs without enough explanation of this poverty. Exclusion of explaining the cause of poverty in agriculture possibly leads to these White poor as worthy poor, who are non inherently inferior, but are victims of nature and geography.Tom Delph-Janiurek, in his article of Sounding Gender(ed) Vocal Performances in English University Teaching Spaces, states that gendered voices are performed through with(predicate) reiterate stylization of bodies, having connection with gendered and sexualized identities. Also, he argues that voice have a geography shaped by how discourses change across different types of space. Both these authors discuss how pre-held notions make believ e the distorted bias of poverty in race and gendered voices respectively.According to Cunningham, by showing many pictures of poor white in U. S. rural regions such as Oklahoma, Montana, Arkansas, and Dakota, Life magazine effectively aroused sympathy from readers of Life magazine who subsequently thought their poor condition was mainly attributable to misfortune. This limited a reasonable explanation of poverty of worthy poor. The readers of this magazine only saw the pictures of untidiness, biological unfitness, and sloth of the poor white, so only consider that they were handicapped martyr by geographical conditions.The direct factor of this economic crisis, capitalism itself, was never involved or even considered as the cause of the poor condition in Life magazine. Thus, the readers of Life did not expand themselves as unworthy to be poor, and think of becoming destitute as a result of economic crisis. In Delph-Janiureks discussion of voices, although gendered dualism of voice s seems obvious having distinctive characteristics in a certain way, voices actually have geography with involving the production and interpretation of them in particular slipway within different kinds of spaces.It means that voices have much more unique ways of interpretation than the vocal performance of roles and identities. Audiences themselves grasp the context of speaking gibe to specific interactional spaces and geography. The understanding of talk is not only related to binary gendered voices, but also to surroundings and desired narratives. For example, when performing in drama, students would be required to relinquish one kind of vocal and adopt another to alter unenthusiastic, unemotional voices of heterosexual masculinity to more emotional theatrical voices through a process called drag. Along with dragged voices, lesbian and gay voices can be performed vocally in ways that mimic the gender dualism. Some gay workforce can use extreme versions of womens voices to act c amp identities, or vice versa. Taken together, mythology of poverty with hidden crucial factor of economical crisis and various(a) forms of vocal performance would result in absolutely different interpretation by readers or audiences.